User:Jo clarke

From CollabLandWiki

Jump to: navigation, search

jo clarke


ladn 412 2006

School of Design [1]

Victoria University of Wellington[2]

blog [3]


Contents

revised design intent

statement

"in terms of absolute position, boundries, like the earths crust itself, can remain fluid"hamilton paterson james,seven-tenths I am working with the idea of exchange this will concentrate on the two areas of sea land exchange and locals(commuter)and visitor (tourist) exchange looking at the idea of the push pull reaction between these two groups and two objects. So my more detailed design investigation will be working with the coastal zone of this site where people are arriving and where the sea meets the land.

new ideas working with the fluctuations of the tides,the creek,and the users i will look at systems in the site that will have a dualality in their interaction so it will not only harness the human aspect but may harness a cultural aspect as well for example a half amplethetre on the waterfront may hold events on weekends in the middle of summer when the visitors coming from auckland are at a peak and in winter during the week this may just be a seat for a commuter to look at the bay while waiting for the ferry to arrive. this same amplithetre may have moted areas which fill up or partially fill with water from the tide as it comes in and it may have areas which capture or store access water runoff from the creek when it is at a high. this example of duality i will try to continue through the entire site it may be down to things such as harnessing the stormwater runoff from the carpark.

intent

I am working with the position that between the land and sea is the transitional zone this is the boundary of where Waiheke begins and where the sea/boat space ends. It is questionable where the boundary line between the two is as the tide is moving up and down between low and high there is also the shore line and the 0m line and there is reclamation pushing these lines into the sea not to mention a tidal gravel beach which can also be quite transient so this boundary line is not defined though but more fluid and this is where the transitional space is formed like for example the ferry terminal which bridges the two is a transitional space.In terms of design this idea of solid melting into liquid is a starting point for forms etc.

I am arguing that no one travels to the island because it is on their path they come to the island as their destination for the attributes the island has to offer. Therefore as soon as they reach the shores/boundary of that island they are physically and emotionally on that island and I am arguing that because the residents choose to live on Waiheke because it is an island they as well as tourists physically as well as emotionally reach the island when they cross the shore line at Matiatia, and the reason that they don’t stay in the space is not because the space isn’t their destination but because there is nothing for them within this destination to participate in.

I taking the position from graphical data that a great many of the visitors are Aucklanders’ on a day drip get away from Auckland so what they are looking for is a contrast to the urban fabric of Auckland and that if more was put in Matiatia to hold them as there is a large area of underutilized space and also its beauty and what makes it unique is not used to its full potential, then it would greatly reduce the current pressure on the islands infrastructure.

I am arguing that this space does not need to become a gateway as its semi enclosed geographical shape already acts as a gateway and embraces and encloses into the island when the boats pass through into its harbour when at present it is been treated like a gateway or doorstep where everyone is leaving there metaphoric equivalent of shoes in the form of vehicles in the space and what it needs is to become its own destination metaphoric equivalent of the kitchen the heart of the island a social Mecca which preparations for the rest of the island stay are made but also which draws both locals and tourists back to its space because of the entertainment and facilities available.

I am proposing that at present the space is not just a transitional space but is a series of still spaces where although movement may take place they are micro destinations where surroundings are taken in and activities take place with transitional spaces swelling around them transitioning out from the base transitional space the ferry terminal. I am Arguing that at present there are no hierarchy of spaces in fact the car parks are the most dominant of the spaces on site this needs to be established for the site to establish a social aspect which at present it is missing.


  • design ideas i want to facilitate in my design

-cater facilities forseeable future -efficient integrated transport for residents and visitors and co-ordinated land use activities with transport

Design intent

To create a terminal landscape that transcends its function to become a landmark for waiheke and its people. Using the theme of the liminal where the landscape will represent a flow diagram transcending out from the terminal also acting as a transition space between the local people and arriving strangers. Maitaita will act as the symbol of the local, flowing out from the terminal building a representation of what the rest of the island holds in culture history economy and landscape.

Site Analysis/possibilities

see character assessment http://collaborativelandscape.org/wiki/index.php?title=Matiatia%2C_Waiheke_Island

  • Cultural identity of the island both maori and european could be emphasised through display of arts ect
  • Transport hub needs to be better expression of movement between boats and busses and needs to be more fluid
  • Area at end of ferry pier where ferries embark needs redesign looks like sheep pens.
  • Ferry terminal recently redesigned could either be left or developed further.
  • covered walkway from ferry terminal at present is unattractive and out of place needs to be redesigned and more.
  • Car park areaat present sprawls over the entire site needs to be compacted and hidden from main views.
  • Existing businesses like car rental buildings are in bad repair and dotted randomly needs compacting and ordering.
  • Access to beach could be developed more so its not so seperated from the land.
  • Walkways need viewing platforms so there are non-resticted clear view areas to the sea not blocked by growth and people arent clogging the track.
  • Boat launching ramp needs moving it interferes with existing programes but needs the deep water.
  • Existing resturant bar could use some landscape areas made-over as agapanthus etc seem to be sprawling into surrounding areas and the carpark area needs work
  • Need an area to hold events perhaps waterfront concerts on a sunday afternoon evening type thing.
  • need space for more retail facilities and any expansion in future.

Literature review

Mental Landscapes:Landscapes as idea and concept

Gerard Ermischer, Mental Landscapes:Landscapes as idea and concept, Landscape Research,Vol29, No4,371-383,October 2004

  • Ermischer argues that it is important to protect and keep diversity(unique differences) and biodiversity(unique species) within landscapes rather than the global uniformity that is occurring with technology.
  • He says that we are in danger of losing all the specific character of different landscapes. He argues that rich and diverse landscapes have great social value as the diverse character of different landscapes is what makes them valuable for tourism because it makes them interesting to visit and experience.
  • He argues that what defines a landscape is "the totality of all aspects of a region, as perceived by man" so therefore it is important to understand the human perception of a landscape in order to understand the landscape itself.
  • He argues that a positive identification with the local landscape is important for social well being therefore socio economic value.
  • He says that a landscape is never static but a living canvas, and just as nature will change even without human intervention, every landscape will always change and develop having both natural and cultural components.
  • Ermischer argues that landscape is a process and in order to manage it we have to understand this process by viewing it as a 4 dimensional form (time) rather than 3 dimensional.
  • Ermischer argues that the built environment that we place upon the landscape defines the picture of a landscape and how we acknowledge it. As the appearance and character depends on natural resources like local materials, the economic power of the region, social structures and ideas.
  • He believes that technology has a great influence on the way we treat the landscape as it defines our ability to change it and influences the way we think and react to it for example someone who is driving a car across the landscape views it quite differently to someone that walks through it.
  • He says that the industrialization of transport accelerated the rate of change in the landscape not only by intersecting it but also by powering new industries which exploited the landscape.
  • Ermischer argues that it is important to understand history and how a landscape developed to understand the interaction between nature and man, how man reacts to nature, influences his environment and reacts to emerging changes.

How this relates to waiheke

  • The character of waihekes landscape in comparison to auckland or the rest of new zealand is what makes it valuable for tourism because it makes it interesting to visit and experience so as talked about in the article it needs to be preserved rather than globalized.
  • The key to understanding waihekes landscape may be in understanding the human perception of its landscape for its different users tourists, commutters and longterm residents.
  • When we look at waiheke's landscape as a living canvas that is never static we should consider all its changes from before settlement(untouched nature, to maori inhabitation, to agricultural farmland, to the green movement in the 70's, to todays mix bowl of users to help us gain a true insight into the picture of the landscape both natural and cultural.
  • By looking at the built environment that we placed upon waiheke's landscape from replanting and re-establishing, farms, to infrastructure and buildings we may be able to define the picture of its landscape and how its been acknowledged by its inhabitants.

Human Activity in Landscape Seasonality:The Case of Tourism in Crete

Terkenli theano S.,Human Activity in Landscape Seasonality:The Case of Tourism in Crete, landscape research, vol 30, no2, 221-239, april2005

  • Terkenli explores and discusses the multiple facets and impacts of seasonality produced and inscribed by tourism on to the landscape and how this seasonality greatly affects, informs and interweaves with human livelihood systems.
  • Terkenli argues that the relationship between landscape and tourism is essential and inextricable. He highlights the role of tourism as a landscape altering factor.Terkenli argues that the image of representation of a place, landscape represents the first and most enduring medium of contact between tourists and potential tourists and a place of travel.
  • Terkenli argues that although the tourism industry has been labelled an exploiter and defiler of landscape and a modern medium of globalization or homogenising identity and development in contemporary landscapes, he suggests that instead tourism is like
  • A modern pilgrimage where people go on a quest to absorb another places realms of pleasure, dreaming, tradition, and arts and it is this pursuit that prompts and preserves these distinct landscapes and tourist destinations.
  • But he also suggests that through tourism, the imaginary, the artificial, the staged, the dreamed and the make believe replaces the original, the site turns into a spectacle a performance.
  • Terkenli argues as landscape and human activities are co-produced the landscapes of tourism become a stage where socio-economic processes, relationships, formal changes, impacts and symbolism of tourism are mirrored on the land.
  • Terkenli states that the prevalent model of tourism developed as established around the world is sea based summer destinations proving the most popular. He argues that this seasonality impacts on the destinations in the on season in the form of interruption and congestion, and less optimum tourism, tourist enterprises, public sector services, over use of local infrastructure. In the off season there are small business returns, high tourism related business vacancies, low productivity per employee, difficulty in securing trained personal, and various budgeting issues.
  • Terkenli mentions the more recent phenomena of local tourism where local people come to enjoy the locations this tends to spread more into the off seasons.
  • Terkenli argues that the effects of landscape can be catorgorized into 3 stages:

Stage1: low impact slow socio-cultural change- tourists aren’t accommodated in the area so they come to see and go again. E.g. Milford sounds. Stage2: Return from pre-tourism activity increasingly difficult. Tourism encompasses most aspects of human life, such as employment, demography, social relations, structures and way of life. E.g. Marlborough sounds or kaikora Stage3: Organised mass tourism, landscape forms, function and symbolism are irreversibly altered. Monocultured economy of tourism and everyday activities are disrupted by its congestion etc. Traditional construction, roles, and particularities are lost. This all attracts outsiders seeking employment or money making ventures and most sizable developments become outside owned by developers. E.g. ibitha, Queenstown?

How this relates to waiheke

  • Waiheke is a popular tourist spot it is generally seasonal with mainly local tourism over winter.
  • Waiheke would possibly be classed under stage2 where tourism has become embedded in its economy and landscape but it has not been over run with large hotels and big developers yet. *As the image of representation of a place, landscape represents the first and most enduring medium of contact between tourists and potential tourists and the place of travel it is obvious that Maitaita Bay been the first landscape seen on arrival needs to be a spectacular representation of the local (waiheke) so that visitors have a positive image held in their memory.

Out in the country: sprawl and the quest for nature nearby

Rachel Kaplan Maureen E. Austin,Out in the country: sprawl and the quest for nature nearby,Landscape and Urban Planning 69 (2004) p235-243

  • Kaplan & Austin study the concept of living out in the country being closer to nature and having space and what it means to the individuals that decide to live in new commuter based subdivisions.
  • Kaplan & Austin argued that from a survey forests played an overwhelming role in what participants identified as important in there choice to live here. Forest scenes were by far the most preferred yet forests are particularly vulnerable to new developments replacing existing woodlands.
  • Kaplan & Austin point to the importance of preserving the forest land for the satisfaction of people as well as environmental reasons.
  • Kaplan & Austin argue that some of the problems with suburban sprawl are, low density development, reliance on motor vehicles, lack of centralized planning and segregated land uses and land covers.
  • Kaplan & Austin examine whether the desire for space and living close to nature can be satisfied in other ways that are more environmentally sustainable and whether there are ways of structuring developments in natural areas so that they simultaneously provide satisfaction for residents and protect the environment.
  • Kaplan & Austin argue woods are the strongest of the natural features related to homeowner satisfaction with their natural surroundings they related these with a sense of peacefulness and community. However resident’s developments are the very thing that is threatening these wooded lands. They argue that however this is not the case in open space communities where the forests wetlands and open space are community owned and therefore preserved and this system benefits wildlife is critical in storm water management and other ecological benefits and also makes resources available for the entire community.

How this relates to waiheke

  • Waiheke is quickly becoming a commuter community of Auckland and facing the problems that are talked about in this article. People move to waiheke to live in a natural area away from the city with some space but more and more people are doing the same thing so it is quickly becoming populated just like Auckland and it is also threatening the nature that they moved out here to be amongst.

On the beach?:The question of the local in Aotearoa/New Zealand cultural studies

Chris Prentice,(2004) Wellington: Victoria University Press. P111-129

  • Prentice describes the beach as conventionally a colonial site of first encounter between peoples, culture, geographies and histories and in post colonial times the setting for encounters, re-enactments, and revisions.
  • Prentice argues that New Zealand must stand as a sign of the local.
  • Prentice suggests that as an island nation we have taken on the beach as our national landscape. The beach to New Zealanders she argues functions more than just a place it is familiar to all as no-one is ever far from the beach it has related memories and its own structure of feelings.
  • Prentice argues that the beach at the same time is a site of liminality that contradicts the familiar and local we associate with it. It is the space between ocean and land and in Maori tradition it is the corridor between the known and occupied to the uncertainty of the ocean it becomes a liminal space.
  • Prentice argues that we use it to escape our structured lives it is a free zone. She argues that beach is part of the capitalization of meaningful like in tourism as both work and leisure take place here it is not a free space for everyone.
  • Prentice suggests that in New Zealand culture is most strongly identified with Maori, while indigenous has cultural attachments to the land itself (people of the land), so Maori culture has become the local and become in the tourist market what distinguishes New Zealand from other countries.
  • Prentice argues but with this Maori’s have moved from the object in the tourists gaze to active agents in their representation.
  • Prentice argues that global capitalization and tourism, place becomes a form of sign, where it becomes an exhibition of itself, it becomes hyper-real.

How this relates to waiheke

  • Waiheke been an Island like the rest of New Zealand has a very strong relationship with the beach if not more so.
  • The site maitaita has Maori and European history so therefore memories and emotions related to it.
  • It is also a liminal space where people are arriving and leaving from the island to Auckland where people are moving from sea to land and where people are moving out to the rest of the island.

Beyond the Romantic and Naive: The Search for a Complex Ecological Aesthetic Design Language for Landscape Architecture in New Zealand

Egoz Shelly & Bowring Jacky,landscape reserch vol29, no1, p57-73 january 2004

  • Egoz & Bowring argue that globalization is a potential treat to landscape identity, which is significant in New Zealand because our economy is built on the self image of a unique natural landscape.
  • Egoz & Bowring argue that landscape architecture in New Zealand draws its vocabulary from the power of the countries natural heritage landscapes and we tend to start believing our own PR and believe that the natural aesthetic of our landscape represents environment health.
  • Egoz & Bowring argue that we need to develop a critically informed design language which includes agricultural landscape along with the natural one. We need a design language that includes environmental health, history, economics, and social values of New Zealand society.
  • Egoz & Bowring argue that “landscape is a symbolic environment through which people define themselves by furnishing meaning and form to it” by using this idea they are advocating a language inclusive of the ecological aesthetic as a local design language.
  • Egoz & Bowring argue that reaction against homogenization and globalization and the desire to disguise human intervention can result in a simplistic and superficial landscape design.
  • Egoz & Bowring argue that new Zealand designers have a tendency to associate ecological designs with the pictures and the natural when it is sometimes stronger when it is about human intervention, she argues that when designs just imitate nature they exclude the social aspects of the design.
  • Egoz & Bowring argue that it is not just new zeal ands wilderness that is beautiful but also some of our farmland. Yet environmentalists and farmers seem to clash but Egoz & Bowring argue that it is a combination of both distinct landscape types which has the potential to form a locally positioned landscape design language that will also support ecological sustainability.
  • Egoz & Bowring argue that we accept a farming landscape as ordinary and just evolving through time when in reality any farm scape is carefully designed and should be appreciated like any landscape for the value that is embedded in it. By many like the wilderness farming can also be seen as beautiful, viewed with a perspective of sentiment and pastoral ideals.
  • From this Egoz & Bowring argue that a culturally inclusive aesthetic in landscape architecture should include icons such as the mown verge and the hedge drawn from conventional agricultural landscapes. Arguing that a landscape is more likely to be appreciated if its historic roots are recognized and its form follows its function.

How this relates to waiheke

  • Waiheke Island also has both agricultural and wilderness as part of the landscape it also has a strong green community and was once just agriculture, so the idea of a language that combines both of these would work well for waiheke.

Sustainable City Regions: Re-localising landscapes in a global world

Thayer robert L jr, landscape review volume 9(2)p13-25

  • Thayer argues that with oil becoming more scarce transport will become too expensive and globalization will start to reverse, local supplies will need to re-establish and shorter transport distances to goods will need to develop.
  • Thayer puts across the prediction that with this oil shortage more people will populate the rural landscapes and cities will become more compact.
  • Thayer argues that landscape has 3 main operative systems: matter, energy, and information and that the energy will deplete with oil but information will continue to grow.
  • Thayer argues that the type of ownership distribution and consumption of essential goods to and from within our regions at present is not sustainable, once the oil shortage occurs these resources will have to be gained locally there will be a large effect on the local landscapes, communities and ecosystems which will be more visible to us.
  • Thayer argues that with localisation, the not in my back yard attitude of resource use and extraction on the landscape like mining, mills, farms, factories, dairies, power plants, water and waist treatment facilities will not be out of sight out of mind anymore.
  • Thayer refers to a term oillusion which he says is the belief that we can keep on consuming as we are and oil will never run out.
  • Thayer argues that with oil shortages that energy production will become localized and will therefore be more efficient, and renewable energy production will replace non-renewable energy production.
  • Thayer predicts that because of shipping costs, closer to home production will occur and the value of local product will be recognised.
  • He also predicts that with oil shortage as regions draw back within themselves that a physical identity for the region will develop that differs from that of the larger nation or state , with deliberate regional design differentiation.

How this relates to waiheke

  • With oil shortage been a very realistic possibility and the isolation of waiheke without oil maybe looking at sustainability today would be a move in the right direction. *As waiheke as time goes on is becoming less and less sustainable as productive land is getting eaten up by houses and people are making money by either travelling to Auckland for work or tourism which both could become threatened with an oil shortage.

Precedent study

Jensen and Skodvin-Ropeid Ferry Terminal, Norway

The Ropeid ferry terminal sits at the gateway to the raw wilderness of a Norwegian fjord. The building has been positioned in a very narrow site between the water edge and a rock mountain which is fitted by using the rock mountain as the internal wall. The terminal and access ways have been designed in a subtle way so that it is unobtrusive on the beautiful surrounding landscape. The terminal is mainly constructed of glass so visually it is unobtrusive revealing only the raw rock face it is connected to. The terminal acts as a junction between ferries, fast coasters and buses and has pier and parking areas not to mention a cafe etc within the building. http://www.vegvesen.no/region_vest/aarsmelding/2003/aarsm2003_region_vest_low.pdf

http://www.vegvesen.no/vegenogvi/03_04/skjerm/8.pdf

simularities to waiheke

  • terminal is in a narrow part of the site backed up against a hill side there are oportunities for conection to or building into this hillside.
  • The surroundings are not built up therefore need to have a sensitive design that doesnt intrude to much on the landscape.
  • The terminal is also a junction for land and sea modes of transport.
  • The area is also natural although not wilderness in the sense of forested untouched land but in time this could be the case so any built form or landscape needs to work in with and acknowledge this natural.

reference A+U,2004, dec n12(411) p86-91

Gateway harbour park Erie Canal Towanda

Tonawanda is home to overlook park nucleus of the new Gateway Harbour development, a public park that runs along the Erie Canal just before it joins the Niagara River. During summer months, local boaters are free to dock at the park, and connects landside visitors to the waterfront and the area becomes quite popular during the free concerts set up by the local council. The canal edge terraces up in an amphethetre formation which makes it perfect for events or just for people to sit back and eat their lunch or enjoy the sun. The design encompasses both the historic and the contempary. The gateway runs along the lines of the historic canal. The park connects several modes of transportation that overlap the park and provides areas to relax and view the activities on the canal http://www.gatewaypoint.com/ surround.html

simularities to waiheke

  • The space also runs along the waters edge.
  • There is also a conection between the locals and visitors by sea on this coastal edge that could be more strongly established through design.
  • There is a strong history to Maitaita it is also a place that is moving forward so any design could encompasses both the historic and the contempary like gateway park.
  • Maitaita also is a conection place of several modes of transport.
  • It has been suggested that a place be incompassed in the design to cater for events so a outdoor amplethetre may be ideal.

referencelandscape architecture 2005 jan v95 n1 p34-38

Yokohama ferry terminal japan- Foreign Architects

Computers were used to create this revolutionary design with its roof landscape, and flow of surface. The architects say they saw their design as a chained sequence of movement. The roof space is integrated with the rest of the space rather than been treated like a leftover from the interior there is an interplay created between the surfaces of the roof and the spaces below. Both inside and out this terminal is treated as a landscape the surfaces acting as a flow from the surrounding park. The building has a spatial continuity it has been described as a machine for movement created in architecture. It is also a transition space having different meanings for different people, for locals, its main function is as a park; for arrivals it is the first connection to the mainland. http://www.architectureweek.com/2002/0619/design_1-2.html

http://www.arcspace.com/architects/foreign_office/yokohama/yokohama_index.htm

www.hoksustainabledesign.com/ news/current/719...

simularities to waiheke

  • There are oportunities to treat both the terminal space and outside the terminal space as one unified transitionary space so it is continual.
  • inside and outside the terminal couls both be treated like a landscape
  • Maitaita also has oportunities to act as a transitionary space between land and sea, auckland and waiheke, locals and visitors.

referencequaderns d'arqectura i urbanisme 2003 n236 p172-186

Miho Museum Kyoto-IM Pei Architect Kibowkan international

The area that miho museum is located is a wilderness park, that is protected as a landscape resource. It is forbidden to build higher than 13m or have visible roof area more than 2000m2 in this area. Therefore the building has been built more than 80% underground and the original vegetation has been replaced over all the underground construction. The entrance into the museum is a spectacular expression as a gateway, walking through an underground tunnel you are suddenly confronted with a canter levered bridge that is strung from the raw natural hill escarpment. http://en.wikipedia.org/wiki/Miho_Museum http://www.danheller.com/j-miho-museum.html http://www.miho.or.jp/english/landscap/landscap.htm

simularities to waiheke

  • Maitaita is also in a non built up area and having to high building or to much roof area displayed could ruin its vista.
  • Maitaita requires a large area of carparking and the council would like quite a large area of retail facilities to be constructed one of the options may be putting them underground then replanting over top.
  • There are also oportunities here to make a statement with entrance to the site.

referencecasabella 1998 july v62 n658

Barbados National Park -planning proposal- Urban strategies Inc

A national park has been proposed for 17% of the mostly rural less populated area of the island. This is hoped to attract tourism, promote culturally sensitive development, inhance ecology and preserve unique natural features. The plan has involved the perceptions and values of the local people and it is hoped they will continue to participate. Unlike many national parks this is not a nature reserve as such but more a managed landscape in which people live and work to let the community grow in a way that is sensitive to the environment. This is a good way of controlling development pressure in a unique and delecate landscape. The plan doesnt prohibit development it just offers guidelines for creating appropriate economic opportunities. It also identifies areas that need preserving intact and areas that need restoration.

simularities to waiheke

  • Waiheke is also having trouble preserving its ecological and culturally sensitive areas where people already have ownership and are building on the land.
  • Establishing a national park that is not a nature reserve on already established areas could be a good way of controlling waihekes development pressures while restoring and preserving sensitive ecology and environment.

referencelandscape architecture, march2000, p50-53

semi floating dock in condamine,Monte Carlo

  • the marina enlarged its surface area by 60.000 m² by building this semi floating dock
  • Designed to float with 16 m below sea level, below water this structure is twin skinned.
  • Its internal walls and slabs, all around 50 cm thick, are set several metres back to create liquid ballast chambers in order to control the structures floating level.
  • The structure will also have a breakwater function protecting Condamine harbour and calming the waters of the outer harbour,
  • It also provides berthing for large cruise vessels working as a quay,
  • the floating dock was a way of reclaiming land from the sea to provide car park, storage and passenger terminal infrastructures without it been to permanent.
  • Inside the structure is:

-A four level car park with a capacity of 380 vehicles occupies 192 m of the dock,

-storage for cargo and small boats in two levels, 136 m

- Several shops and restaurants.

  • This huge floating structure is secured to the land by a ball joint (hinge) a 700-tonne steel stirrup and with displacements limited at the opposite end by means of anchored chains attaching it to the sea bed

http://translate.google.com/translate?hl=en&sl=es&u=http://archive.laprensa.com.sv//20020827/internacionales/int9.asp&sa=X&oi=translate&resnum=10&ct=result&prev=/search%3Fq%3Ddique%2Bsemiflotante%2Ben%2Bla%2Bcondamine%26hl%3Den%26lr%3D%26sa%3DN

http://www.samco.org/letter/issue8.pdf =http://www.ishmii.org/Case_Studies/Monaco/TheCondamineFloatingDock http://www.setec.fr/FO/EN/030-projets/pop_Detail_reference.php?IdR=26&IdSD=6 http://enr.construction.com/news/environment/archives/020603.asp http://news.bbc.co.uk/2/hi/europe/2217251.stm

similarities to waiheke

  • Mataitia also has space problems and ever increasing car parking and storage needs
  • Having a floating dock that is movable within itself is the ultimate example of a transitionary space.
  • It is also fairly sustainable which is what the local people are looking for as it provides opportunity for expanding the area without having to demolish the structure as it can just be moved and re-attached it also can be moved to a different area of the bay if wanted and when no longer wanted has the opportunity to easily be towed on to somewhere else if wanted.
  • It is also green as it has a small ecological footprint as it is like a multi-storeyed building without blocking the view and would not take up any more of the sea bottom than a jetty with the same floor plan yet it has many more times the floor area.
  • It would help solve some of the problems of the bay been taken over by car parks and people boarding the ferry could just drive inside and disembark straight to the ferry it would act as a true transition space.

reference:Quadernerns d'arqectura i urbanisme, Monte-Carlo dique semifloatante en la condamine,2003, no236, p162,163

terminal at mannheller, sone fjord

  • mannheller is cut off by mountains from all directions instead of destroying the terrain and flora by creating access and carpark a 3km tunnel was created which included 5 lanes so traffic could wait in the tunnel for the ferry
  • Travellers drive 8km following a tree lined shore line before a 3km tunnel through a mountain side which has been artistically embellished by a local artist before arriving at the mannheller coastline which has remained basically untouched apart from the creation of the two small buildings and platforms at the waters edge.
  • Trafic planning to deal with the obstruction of journey by terrain and fjords is very important in Norway this ferry links and shortens the travel distance between sogndal and kaupanger.
  • two separate tunnels were created through the hillside one for arriving and one for departing traffic these join back up after the five lane waiting area this allowed for unobstructed flow of traffic and enabled travellers to enjoy the scenery dispite the space constraints.
  • sognefjord is an area of significant natural beauty and the brief stipulated that these landscape qualities be preserved
  • The site was difficult because of its tight confines by mountains so extra space has been made at mannheller for the terminal by expanding into the fyord
  • With careful space and traffic planning the designers were able to find space for and incorporate a small amphitheatre and a quiet seating area. Concerts are held at the amphitheatre and when its not in use it is a popular place where people sit back and enjoy the fjord.
  • The site which during winter months needs avalanche protection needed special walls constructed. All the construction and buildings used were as much as possible constructed via traditional methods and local materials.

http://no.wikipedia.org/wiki/Mannheller

http://www.nrk.no

http://www.sognafoto.no/bilder/Bilde.asp?key=2208

http://pics.bothner.com/2001/Sognefjord/Sognefjord07.html

similarities to waiheke

  • Mataitia is also a natural area that is relatively un built and it would be good if any design preserved these landscape qualities.
  • The site of the ferry terminal itself at Mataitia is also locked in by the hillside so by either expanding into the water or recessing into the hillside could be a way of dealing with space constraints.
  • Incorporating a amphitheatre into the mataitia site would provide for already existing events like the jaz festival that happen here.
  • Waiheke also has some of its own distinct materials like a rock that seems to be popular for rock walls and fences around the island using these local materials in construction on the site will help any built forms blend with the landscape and also give it some local identity.

Reference: Bjørbekk Jostein, Waiting for the ferry, Topos 24 / 1998, p83-87

Schedule of programme

Week 1-july10

Site analysis -Wiki presentation site visit

Week 2-july17

Stage 1 submission design intent,theory reviews,precedent research

Week 3-july24

Presentation of broad scale agendas two major design investigations computer site model clear articulation of design position

Week 4-july31

Seminar presenting stage 2 composition of drawings and models to represent the design intent visiting and discuss external critics

Week 5-Aug7

Presentation Stage 2 Further development on conceptual ideas more resolved design

Week 6-Aug14

Details materiality, vegetation, structure Further development on design broad scale plus more detailed

Week 7-Aug21

Mid trimester break begins development on design

Week 8-Aug28

Mid trimester break finish development on design

Week 9-sept4

representation of design process and investigation Perspective images digital model

Week 10-sept11

Stage 3 Submission nominate detail Research in the technical, construction details and sustainability

Week 11-sept18

Detailed investigation on materiality/ structure


Week 12-sept25

find a new technology relivant to my design produce an inovative contruction detail

Week 13-oct2

plan and put together Detailed construction drawing

Week 14-oct9

Stage 4 Submission planning contents of presentation, finalising and creating final work for presentation

Week 15-oct16

collaborating presentation getting book printed and bound

Week 16-oct23

Presentation Stage 3

Contacts & Mentors

Jillian Walliss/tutor

Room: MWH 114 phone: 0-4-463 6277 Email:Jillian.Walliss@vuw.ac.nz


Mark Lindquist/tutor

Room: 307A phone: 04 463 6103 Email:Mark.Lindquist@vuw.ac.nz


Warwick McLeod

Room: wigan4.18

phone:4636239 Email:warwick.mcleod@vuw.ac.nz office hours:thurs9-12


Robin Simpson

Room: 307D phone: 0-4-463 6121 Email:Robin.Simpson@vuw.ac.nz


proposed out of discipline mentors

Daniel Brown

Room: 232 phone: 0-4-463 6129 Email:Daniel.Brown@vuw.ac.nz


Russell Lowe

Room:WG 415 phone: 0-4-463 6167 Email:Russell.Lowe@vuw.ac.nz

Personal tools
Ads: