Untreated timber
From CollabLandWiki
Manufacturing / extraction processes
Wood is quite common material that has been used in Architecture design. There are two kind of wood types, softwood and hardwood. Untreated timber has its natural durability and manufactured out of toxic chemical treatment. It is considered as a perfect ecological material which has been used both indoor and outdoor. New Zealand mainly produces soft pine, so most species has been imported from Australia and overseas. There are several steps of manufacture and extraction processes.
Critical analyze the chosen area
Trees take over hundreds years to grown, so the chosen forest area need critical analysis before it is cut down.
Kiln Drying
The temperature of Kiln drying can be adjustable depend on the proprieties of trees themselves. The moisture of laminating stock should keep :12 %< the moisture of laminating stock <18%, so it would not damage the shape of timber. Surface checking is necessary if it is under stress.
Grading
There are severl GL grade numbers for designer to use.e.g.GL8 grade,GL10 grade,GL12 grade
Material properties
With changes of year, trees increased diameter by adding new layer of cell and growth rings. Thus, there are three direction changed while the tree growth. Longitudinal, Radial, Tangential are three directions to describe wood properties.
Heartwood which has darker color and more decay resistance. By contrast Sapwood has lower natural decay resistance.
Moisture in wood
Moisture content of wood can be vary depends on the different seasonal. Normally, fresh cut wood content around 50%-200% moisture. After drying, the rate will approximately 25%-30%.However, as long as it expose to the environment it will absorb moisture to reach the equilibrium moisture content.
Density of wood
Density can be varying within species. It depends on the size and thickness of cell wall. Moreover,Moisture content can affect the density rate. More density means it got more durability.
Strength of properties of wood
- Bending
- Compression Parallel to Grain
- Shear
- Side Compression
Format & finish of materials
Most untreated timbers that are used outdoors are hardwoods which produces natural
tannin that protects it from the elements and does not usually require a special finish.
Some less durable un-treated timbers do require some sort of finish to protect them from
the elements.
Common uses for untreated timber is anywhere where human contact is regular or where treated timber has a dangerous effect on the environment.
Such as decks, platforms, board walks, playground structures,furniture, seating chairs.
These uses also effect the type of finish used.
Clear Finishes/Timber Stains
This form of finish is mainly used were protection from the environment is required but there is a desire to keep the natural form of the timber. They come in a range for different purposes and protection.
- Penetrating semi-transparent stains
These stains protect the surface of the timber from the elements and still show the texture and grain of the wood. But is only a temporary protection Finnish.
- Film-forming transparent finishes (Varnishes)
Varnishes are favorable for being easy to clean and UV resistant meaning better protection.
- Film-Forming stains
Similar to diluted paint and has a colour stain but is not very protective.
- Oils
Helps protect against weathered look but is high maintenance and needs to be done seasonally.
Paint
Acts as a film over timber protecting it from the elements comes in two types that have different advantages.
- oil/solvent based paints work best where there is a hardworking surface as these paints are impact resistant good for furniture.
- Water borne tends to be less brittle with age and more durable.
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Common fixing methods
There is a wide range of timber fixings avaliable. The choice of what type of fixture is used is determined by certain factors such as environmental conditions which will determine how corrosive resistant it will have to be. Where the connection is and whether it will be taking a load or capacity or what material it will be connected to.
- Timber to Timber - Glue, Nails, Screws, Bolts, Nail plates
- Timber to steel - Bolts, Screws
- Timber to Concrete - Bolts, Fired shot nails, Masonry anchors
Bolts
most versatile fixing method for connecting to different materials. In timber to timber applications it is often used to attach beams and sometimes used with steel brackets and is the main method for attaching timber to steel. Bolts when used outdoors are required to be galvanized or stainless steel to prevent deterioration.
Nails Used outdoors they must be hot dip galvanized to have sufficient corrosion resistance. frequently used in timber to timber applications.
Screws Main factor to consider is head and thread size. Has a more secure and stronger connection than nails.
Masonry anchors Attaches timber to concrete through the use of expansion in a drilled hole in the concrete securing it.
There are more older traditional ways for fixing timber such as mortise and tension joints that are connected with Dowling the advantages of this allows movement that is experienced with fluctuating moisture levels
Essentially fixing methods are designed for specific purposes
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Durability and maintenance requirements
There are two main things that affect the durability of untreated wood. They are fungi and insect attack.
Fungi (or rotting) occurs when there is enough oxygen, moisture and heat available. The most influential factor that we can control to an extent is moisture, as heat and oxygen are usually always present. Therefore the woods that will endure are the driest and the most dense so that that the moisture cannot get in. If the timber has less than 20% moisture, rotting does not occur. The greatest amount of deterioration of timber occurs when water is absorbed through an uncovered end cut, and around bolts or joins in the timber.
The primary concerns in New Zealand for insect attack come in the form of wood-boring beetles, mainly Anobium and Lyctus. Treatments are very effecient at stoping borer. Untreated timber is more at risk but is usually sourced from heartwood at the centre of the trunk where it is the hardest and often contains natural resins (such as the Western red cedar) that make them naturally resistant to borer without any chemicals. Pill bugs (Sphaeroma) can burrow into the timber but treated timber is as susceptable to this as untreated as the bugs do not ingest the wood.
Durability of Untreated Heartwood of New Zealand-grown Timbers
Perishable (<5years) - Silver birch, Tawa, Corscican pine, Ponderosa pine
Non-durable (5-10years) - Eucalyptus regnans, Oak, Pukatea, Radiata pine, Douglas fir, Kauri, Western red cedar
Moderately Durable (10-15years) - Eucalyptus globulus, Silver beech, Macrocarpa, Californian redwood, Rimu
Durable (15-20years) - Eucalyptus saligna, Hard beech, Red beech, Southern rata
Very Durable (>25years) - Robinia, Silver pine
Very Durable Imported - Jarrah, Teak, Kwila
Untreated timber doesn't require maintenance which is a huge benefit for landscaping in public spaces. The down side to this quality is that, like everything outdoors, it does need to be replaced eventually.
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Life-cycle / recycling possibilities
Untreated timber is cut and milled, then transported straight to the timber merchant, therefore the product is free from any chemicals. Because untreated timber is environmentally friendly and the timbers suitable are very hard and naturally durable, most untreated timbers are suitable for recycling.
The sustainability of untreated timber is not prosperous and has seen the use of treated timber increase greatly. The reason being that it is more economical to grow a pine for 15 years and treat its timber to last 150 years than it is to grow a rimu for 400 years and its timber last for the same amount of time untreated. This is a big motivation for untreated timber to be reussed.
A common example of recycling is when the Macrocarpa railway sleepers are used to achieve the aged look in peoples gardens or within the city landscape, as is the case with Wellingtons Waterfront. Often when an old building made of rimu or kauri is demolished, the untreated wood is sold and made into furniture.
Untreated timber can also be chipped and shredded into a range of landscaping mulches for gardens.
An untreated timber that cannot be recycled is pine. Pine is a soft wood and needs to be treated to endure. It is used untreated when its use is temporary but needs to be non toxic, for example garden stakes.
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List of manufacturers / contractors / suppliers
City Timber Ltd
210 Thorndon Qy Thorndon Wellington Phone number: 0-4-473 7987
Woodlink Importers
5 Seaview Rd Seaview Lower Phone number: 0-4-566 9699
CedarCorp Canada Ltd
65 Nelson St Petone Phone number: 0-4-566 8010 [1]
Lumber & landscaping Suppliers Ltd
4 Benmore Crescent Manor Park Lower Hutt Phone number: 0-4-563 5050
Midway Timber Ltd
3 Western Hutt Rd Petone Lower Hutt 0-4-576 9633
Midway Timber Ltd
3 Western Hutt Rd Petone Lower Hutt Phone number: 0-4-576 9633
Product information / specifications
Some timber species used for landscaping
Balau: decking, exposed beams, handrails,balustrading for decks, bridge construction
Ironbark: electric fences, wharf and bridge construction
Jarrah: decking, exterior framing, railway sleepers, power poles, bridge and wharf construction
Karri: exterior framing, decking
Kwila: decking, exterior joinery, posts, beams
Macrocarpa: decking, weatherboards
'Saligna' (Blue Gum): outdoor furniture, decking
Turpentine: wharf piling, wharf decking
Western Red Cedar: finishing timber, roof shingles, weatherboards, joinery, shakes, garage doors
Timber can be sawn into different sizes according to different uses in construction.
Exp:Sizes for Decking
65mmx19mm, 90mmx19mm , 90mmx32mm, 140mmx19mm,140mmx32mm
Visit to City Timber Ltd
City Timbers Ltd on Thorndon Quay in Wellington, imports exotic, mainly untreated timbers. They recieve the timber cut into planks from New Zealand mills and from overseas. They make trimmings and resize the timber on request. Redwood is their main product but also stocked marcocarpa, NZ Kauri, jarrah, tawa, saligna and kwila.
Saligna and jarrah were recommened to last the longest in the landscape.
The stockyard was all contained indoors as to prevent any deterioration. It was also quite small reflecting the amount of untreated timber being used in comparison to treated timber where the stockyards are outdoors and a lot bigger with more stock but less variety.
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Precedent 1
This detail in the asphalt along Wellington's Waterfront was created using untreated timber. Wellington has an image and theme, especially along the waterfront and untreated timber supports it. The look is very industrial and utilitarian, with subtle details and repetitive use of simple forms and colours. Bright yellow paint transforms ordinary objects into focal points amongst a wash of greys and browns. The pedestrian passageways are wide and modern with a deconstructuralist theme; sucessfully and modestly building the new alongside the aging. This creates a visible history of the former port.
I think untreated timber was a suitable choice for this detail as it is flat and unobstructing both physically and visually. The colour of the timber fits very well with its surroundings and makes time visible as it fades and slowly develops signs of wear. Being that this is a public and highly used area, untreated timber is beneficial in that it requires no maintenance and does not disturb the programme of the site.
A Marae is a place that needs to be peaceful and uninterrupted. Now that the city has expanded and the land is expensive and difficult to obtain, this Marae has found itself in the middle of the industrial section along Thorndon Quay. They have tried to separate their space from the city and one way they have done this is by using untreated wood around its boundary.
I think that using the untreated wood in its natural form, unsawn, has made the Marae stand out amongst its city surroundings very efficiently and peacefully. From the outside the organic linear form is so much softer than the concrete blocks around it and the colour is unexpected among the artificial brightness of advertising. From inside the Marae grounds the fence differentiates the two spaces. I think the naturalness of the wood also acts psychologically - if you can't see the traffic and the city, their sounds and presence are reduced.
In this case the choice of untreated timber was mostly visual, the same effect would not be achieved with treated sawn timber.
Waitangi Park in Wellington has a river flowing around the outside of it. It is representing the old Waitangi river that used to flow in this area, and is the reason for the park's name. The reeds planted in it were placed in rows to act as a filtering system for the storm water that is channeled into it and out to the sea. The whole process is very ecological. On the banks of this unearthed river John Wardle Architects have used untreated timber blocks.
This was very sensible and is in keeping with the environmental theme of the park as untreated timber does not have chemicals and will not contaminate the water that is being filtered. I think that the less chemicals we can use the better, and if not for such a focus on economics, untreated wood would be used more often.
The look of untreated timber also suits the theme of Waitangi Park. It is a colour that is found in New Zealand soil, clays and plants. It creates another visual reference to nature and pre-European times which the design of the park is aiming for.
This sculpture along Wellington's Waterfront is very reminiscent of growing trees. There is no finish, no colouring and no chemicals added and so as well as looking more like a tree it is literally closer to being a real tree. As this timber is weathered by rain and heat its textures will evolve and become more distinctive. The colour will also progress, showing its age. All along the waterfront, the untreated timber will be doing the same thing. This generates a familiar feel in the overall area and gives a synchronisation to the landscape.
I think that this use of timber could have been done using treated wood but that would have caused the meaning to be lost. It also would go against the whole theme that the different designers of the waterfront are taking into consideration.
The 'City to Sea Bridge' links Wellington's Civic Square to the Waterfront. Civic Square is paved with orange bricks giving it a busy, bright character. The Waterfront is composed of quite dark and similar colours drawing peoples' attention to the sea. The bridge is a transition between the two. It is the neutral grey colour of untreated timber but has a lot of detailing with in the wood, similar to the brick patterning. These details form cubby holes that children crawl into, and bigger ones which people rest in.
Because people are in such close contact with the wood, it needs to be untreated. The chemicals used in some treatments of wood are strong and should be avoided. This is the same reason that playgrounds are made from chemical-free timber. I think that the same effect could have been achieved with treated wood but untreated was chosen because of this health hazard.
Here is another example of untreated wood being used instead of treated because of its harmful chemicals. The hand rail attached to the wall is used by many people daily and cannot afford to be treated. The colour of the timber is also appropriate. It fits in well and is not obtrusive to the overall look.
Another reason that treated wood can be used in this situation is that untreated wood tends to be very hard and difficult for water to penetrate. As long as wood can stay dry on the inside, it is safe from fungi which causes rotting.
Precedent 2
This sculpture is a new addition to Wellington’s water front. It is good evidence of recycling untreated timber form the wharf. The use of this untreated timber in a dominant vertical element and placed into a grove like formation links it to its original situation of growing as a tree and will look more like a tree as it ages. The fixtures on this sculpture are also interesting as they prop the timber above the ground almost as if its floating.
This is the main bridge entering Waitangi Park and shows how kwila slats can be used in mass to serve several purposes. Such as shelter from wind, rain and sun and allowing interesting shadows to be casted. Also being situated above water it is good evidence of untreated timber being used in environmental issue situations where chemicals in treated timber pollute the environment and water ways.
Precedent 3
Timber structure outside a Marae. The form of the timber is quite natural. It seems like just been cut down and directly placed here.
A closer look at timber weathering because of the heat and rain.
Timber at City to Sea bridge. Shows the natural beauty of timber: the grain.
Strucure at City to Sea Bridge. The combination of timber and metal gives a feeling of ancient days.
Structure at Wellington Waterfront. To me, the vertical structure makes me think of forest. The artifical forest in the city.
A bench at Wellington Waterfront. It shows the beauty of simplicity. The texture gives a warm feeling.
Precedent 4
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See also
References
Buchannan, A.2002 Timber Design Guide, New Zealand timber Industry Federation Inc.,NZ
Desch, H.E. 1938 Timber Its Structure and Properties, Macmillan And CO., Limited, London
Farmer, R.H. 1972 Hand book of Hardwoods, Ebenezer Baylis and son Ltd. London
Pringle, T. 2003 Landscape Construction, Branz Ltd,Porirua, NZ
http://www.pine.net.nz/faqs/#user
http://www.timber.org.nz/members.php?actionflag=view
http://www.timber.org.au/NTEP/menu.asp?section=Learning&sub=Materials
http://www.timpan.co.nz/content.php?actionflag=view&id=40
http://www.wsn.com.au/dir138/publish.nfs
http://www.ffp.csiro.au/TI-CCAFactSheet.asp







